Pine Ridge Project

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Photographer Aaron Huey, who you will learn more about in the coming days, described the Pine Ridge Indian Reservation in South Dakota as the “ground zero of U.S.-Indian relations.” In this project, your team will create a visual essay about life, history, and culture on the Pine Ridge Indian Reservation. Drawing from resources found mainly in a special issue on the Lakota people in National Geographic and in the archives of photographer Aaron Huey, your visual essay will explore a specific aspect of the Lakota experience in the contemporary United States.
Following a structure outlined below, your visual essay will incorporate key photographs, Camera Eyes, found poetry, and a protagonist from Pine Ridge.   
Each team will present its visual essay in class on Tuesday, April 8th. Everyone must speak during the 8 minute presentation.  There will be some time after each presentation for the other groups to ask questions. Each team is required to meet outside of class before the presentation.
Activity:
Ø  FOR CLASS ON TUESDAY 4/1. In preparation, please make sure you have completed the following list:
  
o   Read Alexandra Fuller, “In the Shadow of Wounded Knee.”

o   Read two brief NY Times articles on Huey’s Pine Ridge project.
“Behind the Scenes: Still Wounded.” Go to: http://lens.blogs.nytimes.com/2009/10/20/behind-22/
        “Photographing, and Listening to, the Lakota” Go to:

o   Review Aaron Huey’s Pine Ridge photographs. There are 155 photos; review most of them. What are your top 5? Why? Free write in anticipation of team brainstorming.
Go to: http://www.aaronhuey.com/. CLICK on top tab on left, “National Geographic Magazine: Pine Ridge.” Review the slide show of 155 photos at bottom of page.

o   Listen to stories from the Lakota people. These stories are located on the National Geographic site, where you found the Fuller article above.
Go to: http://ngm.nationalgeographic.com/2012/08/pine-ridge/fuller-text. On the horizontal menu bar, look for Community Storytelling Project and Podcast: Behind the Words.
First CLICK on Community Storytelling Project. Read the project description by Huey and then dive into the collection. You won’t be able to read or listen to all of them; you’re looking for compelling individuals and stories that might become part of your visual essay. 
Next CLICK on Podcast: Behind the Words. These audio podcasts offer fascinating insight into the personal stories behind Huey’s photography. Is one of your selected photographs represented here?
Ø  FOR CLASS ON 4/1 AND 4/3. Begin brainstorming with your team.

o   Schedule meeting time outside of class.

o   Share your thoughts about your research into the Pine Ridge Indian Reservation. Is there a possible theme that emerged in your reading, viewing, and listening?

o   A representative individual—a main character, if you will—is an essential piece of the visual essay. Discuss possible candidates who you learned about during the course of your research. This individual will ultimately reflect the theme of the presentation.

Ø  STRUCTURE: Your visual essay must incorporate the following narrative devices in numerical order:

1.    Essay begins with a Newsreel in the spirit of Dos Passos and Packer.
2.   Followed by a brief, engaging opening statement about your selected theme. (You might show how parts of Newsreel define theme.)
3.   Incorporate 2-4 photographs from the Aaron Huey archive. These photos are not merely “eye candy.” Teach us to see how the details in the photos illuminate your specific theme.  
4.   Introduce the main character in your visual essay.
5.    Followed by 1 photograph accompanied by a Camera Eye written in the voice of the representative individual.
6.   Followed by a photograph accompanied by a Found Poem constructed out of the actual words of your main character
7.   A gripping conclusion. What have you learned? What else would you like to know?  

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